The terraces of Opus 40 beneath Overlook Mountain

High Woods · Saugerties · 1939—1976

A quarry
made whole.

Opus 40 is not sculpture placed in a landscape. It is 6.5 acres of landscape composed as sculpture—built by Harvey Fite, stone by stone, over 37 years.

37years of continuous making

1939—1976

One person. Millions of pieces of bluestone.

Harvey Fite bought the abandoned quarry in 1938. At first, he meant to create an outdoor setting for large stone figures.

Clearing rubble led to a practical solution: stack the waste stone into walls. Walls became paths, paths became terraces, and terraces revealed a larger composition. Fite worked largely alone, fitting local bluestone without mortar and allowing the geology of the quarry to direct the design.

6.5 acrescontinuous earthwork
16 feetbelow grade at its deepest
63 acresin the present nonprofit property
37 yearsfrom first stone to final day
Harvey Fite kneeling to fit a bluestone into dry-laid masonry

Fite fitting stone by hand · archival photograph

The method

No mortar. No blueprint.

Dry-laid construction depends on contact, gravity, friction, drainage, and judgment. Each stone must carry and distribute weight through the stones around it.

  1. 01
    Select by eye

    Read shape, grain, fracture, and the gap to be filled.

  2. 02
    Lift and test

    Move the stone into place; turn it until its weight settles.

  3. 03
    Lock the mass

    Bind large pieces with smaller fitted stones, not cement.

  4. 04
    Follow the quarry

    Let ramps, pools, ledges, and horizon guide the next move.

The central nine-ton bluestone monolith at Opus 40
9 tonsraised into place · 1964

The turning point

The stone that made the whole visible.

In 1953, Fite found a roughly fourteen-foot block of bluestone in a nearby streambed. A decade later, he and Bert Wrolsen devised a way to raise it using logs, jacks, wire, an A-frame, block and tackle, and a pickup-truck winch.

Fite intended to carve the monolith. Once it stood at the quarry’s center, he understood that carving was unnecessary: the surrounding ramps and terraces had become the sculpture. The earlier human figures moved outward.

Follow the 1964 turning point
Circular walls, ramps, and terraces at Opus 40

Not a pedestal for sculpture.

The sculpture itself.

Why here matters

The quarry belongs to a larger landscape.

01

High Woods

The rural Saugerties hamlet where house, studio, quarry, woodland, and family life converged.

02

Catskills

Overlook Mountain anchors the western horizon, giving the terraces a scale beyond their walls.

03

Hudson Valley

The river corridor connected Fite to Bard, Woodstock, New York art networks, farms, industry, and travel.

04

Bluestone country

The stone carries the labor history and geology of a region shaped by quarrying.

A total environment

More than the earthwork.

Today’s nonprofit property holds the sculpture within woodland, meadow, historic structures, archives, and a continuing cultural life.

About the present-day site
01

Fite House

Built by Harvey from salvaged timbers; reunited with Opus 40 in 2023.

02

Quarryman’s Museum

Fite’s collection honoring regional quarry tools, rigging, and knowledge.

03

Woods and meadows

Trails and open land frame the stonework in changing Catskill light.

04

A cultural stage

Concerts, performance, education, walks, and gatherings animate the place.

Visitors walking a curved bluestone ramp at Opus 40

See it in person

No photograph can explain the scale.

Opus 40 Sculpture Park & Museum is at 356 George Sickle Road in Saugerties, New York. Check the official site for current seasonal hours, admission, accessibility, tours, and events.